(" GCAC" or the " Company" ) ( C NSX :APP. Vancouver, British Columbia, Canada - TheNewswire - SeptemGlobal Cannabis Applications Corp. Producers: Broderick Johnson, Andrew A.Efixii technology highlighted on CNBC broadcast to reach 85 million homes Screenwriter: Kurt Wimmer, based on the screenplay by W. Production companies: Alcon Entertainment, DMG EntertainmentĬast: Edgar Ramirez, Luke Bracey, Teresa Palmer, Delroy Lindo, Ray Winstone, Tobias Santelmann, James Le Gros Read more Box Office: ‘Star Wars’ Makes Christmas History With $49.3M ‘Daddy’s Home,’ ‘Joy’ Strong Technical specs are polished across the board. The cast seems game, if overly serious, and Ray Winstone (replacing Gary Busey) manages to liven things up with his typical grizzled charm. Bracey is even less emotive than Reeves, though Ramirez shows flashes of genuine, true-believer sex appeal in a half-baked role. A late second-act twist involving Utah’s painfully underwritten love interest, Samsara (Teresa Palmer, Warm Bodies) doesn’t shock the way it should, and ever worse injects zero emotional resonance into the proceedings. But the thin connection between Utah and Bodhi never raises the stakes enough to make the chases and extreme dares really land. The primary goal, however, seems to be to make a more timely, relevant film that never quite reaches those heights (why does the European FBI office seem to be in a library, complete with a chalkboard?).ĭespite all that, Core does manage to squeeze a bit of tension out of some incredible action sequences and gorgeous locations, with a chase up (yes, up) Angel Falls being a highlight. Agent.” moment and a tip of the hat to presidential references. Cue the blown cover and betrayal, and the rest of Point Break follows the original’s course.Ĭore and writer Kurt Wimmer ( Ultraviolet, 2012’s Total Recall) are sure to include a handful of shout-outs to the original film: Utah’s frustrated gunfire when he lets Bodhi escape, the notorious “I am an F.B.I.
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The cat-and-mouse between Utah and Bodhi is replaced with snowboarding, wingsuit flying and free rock climbing, leaving the slow bond between the two behind, along with any sense of personal drama. When Utah tries to surf a rare ocean mega-wave, he’s rescued by Bodhi (Ramirez, Wrath of the Titans, Deliver Us from Evil), and just like that, he’s deep undercover in the gang and knows he has his man, or men.
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There’s too much mumbo-jumbo backstory about a dead eco-guru, the mythic Ozaki 8 (a series of extreme sporting challenges) and the raid of Mother Earth/the poor and so on and so forth to leave room for character arcs. In overcomplicating the bandits’ motives, the film sets itself up for a fall. Read more ‘Point Break’ Characters Headed to ‘Payday 2’ Online Game But they also had Bigelow’s eye for action set-pieces and bro-tastic homoeroticism to play with. In 1991, a peaking, post- Dirty Dancing/ Ghost Patrick Swayze and an ascendant, pre- Speed Keanu Reeves pulled off the nearly impossible and made the relationship between the ludicrously named Johnny Utah and Bodhi work. Taken out of its post-Reagan context and remade with a forced backstory and 100 percent more supermodel types (bye, Lori Petty) in 3D, cinematographer-director Ericson Core’s Point Break strips the silly fun and relatively straight-ahead narrative from the original for a humorless, if photogenic, spin on extreme crime. Looking back, the peculiar and somehow charming pseudo-philosophical machismo about communing with the earth of Kathryn Bigelow’s Point Break was actually ahead of the bro-culture curve that seems to be everywhere now, and so never wanting to leave well enough alone, the cultish film was ripe for a remake.
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